"Because if he does come to me he must come to me there. If that telegram goes," said Fleda, "I return to Maggie's to-night." "He speaks to me of the only thing that concerns me. He gives me clear notice that he abates not one jot of his demand."!

Mrs. Gereth continued to stare out of the window, and her stillness denoted some success in controlling herself. "If he's not lost, why are you unhappy?" These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"

They went at last, the wiseheads, down to Poynton, where the palpitating girl had the full revelation. "Now do you know how I feel?" Mrs. Gereth asked when in the wonderful hall, three minutes after their arrival, her pretty associate dropped on a seat with a soft gasp and a roll of dilated eyes. The answer came clearly enough, and in the rapture of that first walk through the house Fleda took a prodigious span. She perfectly understood how Mrs. Gereth felt—she had understood but meagrely before; and the two women embraced with tears over the tightening of their bond—tears which on the younger one's part were the natural and usual sign of her submission to perfect beauty. It was not the first time she had cried for the joy of admiration, but it was the first time the mistress of Poynton, often as she had shown her house, had been present at such an exhibition. She exulted in it; it quickened her own tears; she assured her companion that such an occasion made the poor old place fresh to her again and more precious than ever. Yes, nobody had ever, that way, felt what she had achieved: people were so grossly ignorant, and everybody, even the knowing ones, as they thought themselves, more or less dense. What Mrs. Gereth had achieved was indeed an exquisite work; and in such an art of the treasure-hunter, in selection and comparison refined to that point, there was an element of creation, of personality. She had commended Fleda's flair, and Fleda now gave herself up to satiety. Preoccupations and scruples fell away from her; she had never known a greater happiness than the week she passed in this initiation. "I'm only prepared for the worst. The Brigstocks will simply send any telegram on." "I'll give up the house if they'll let me take what I require!" That, on the morrow, was what Mrs. Gereth's stifled night had qualified her to say, with a tragic face, at breakfast. Fleda reflected that what she "required" was simply every object that surrounded them. The poor woman would have admitted this truth and accepted the conclusion to be drawn from it, the reduction to the absurd of her attitude, the exaltation of her revolt. The girl's dread of a scandal, of spectators and critics, diminished the more she saw how little vulgar avidity had to do with this rigor. It was not the crude love of possession; it was the need to be faithful to a trust and loyal to an idea. The idea was surely noble: it was that of the beauty Mrs. Gereth had so patiently and consummately wrought. Pale but radiant, with her back to the wall, she rose there like a heroine guarding a treasure. To give up the ship was to flinch from her duty; there was something in her eyes that declared she would die at her post. If their difference should become public the shame would be all for the others. If Waterbath thought it could afford to expose itself, then Waterbath was welcome to the folly. Her fanaticism gave her a new distinction, and Fleda perceived almost with awe that she had never carried herself so well. She trod the place like a reigning queen or a proud usurper; full as it was of splendid pieces, it could show in these days no ornament so effective as its menaced mistress.